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Open a larger version of the following image in a popup: David Yarrow, Cannes
Open a larger version of the following image in a popup: David Yarrow, Cannes

David Yarrow Scottish, 1966

Cannes
Archival Pigment Print
Large (framed): 71x106
Standard (framed): 56x91
Ed of 12
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The Belle Époque styled Carlton Hotel in Cannes is one of the most recognisable landmarks in Europe. Every May it serves as the spiritual home of the town’s film festival,...
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The Belle Époque styled Carlton Hotel in Cannes is one of the most recognisable landmarks in Europe. Every May it serves as the spiritual home of the town’s film festival, which has only enhanced its status as a celebrity magnet. It is easier to name the film stars who haven’t stayed there than those who have. There is a priceless heritage​ to the Carlton and the spell it casts over visitors remains fully intact.

Built between 1911 and 1913 the hotel plays to the lore of the region. The twin cupolas are probably its most iconic feature; legend has it they were inspired by the breasts of the most sought-after courtesan in Europe at the time, Carolina “La Belle” Otero.

The hotel’s massive facade is a generous backdrop for filming, and my goal was simply to pay homage to the hedonism, glamour and opulence of the French Riviera. There is zest for life and an appetite for indulgence.

I brought ​the Sach’s family’s Riva Aquarama – Dracula - into the foreground. It was, of course, Gunter Sachs who famously courted and then married Brigitte Bardot in the late ‘60s. They were one of the most photographed couples of the era - the ultimate embodiment of 1960s Riviera glamour. Dracula was just one of the many playboy toys Gunter brought to the region.

There is a timeless aesthetic to this photograph and that was my intent. There are only a few clues as to whether it was taken last week, 10 years ago or 40 years ago. The magnetic appeal of this part of the world will continue long after we have moved on.
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